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	<title>Create and Innovate &#124; The Convergence of Digital Media, Marketing, and More</title>
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		<title>Is Innovation and Creativity Becoming Scarce?</title>
		<link>http://www.josephayi.com/blog/is-innovation-and-creativity-becoming-scarce/</link>
		<comments>http://www.josephayi.com/blog/is-innovation-and-creativity-becoming-scarce/#comments</comments>
		<pubDate>Mon, 13 Aug 2012 13:00:24 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Fear]]></category>
		<category><![CDATA[Innovation]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=3109</guid>
		<description><![CDATA[One of the most highly regarded authorities on restaurants, the Michelin Guide awards one to three stars to restaurants that are deemed to be of &#8216;high culinary merit.&#8217; The significance of receiving a star is as follows: 1 star indicates a good place to stop on your journey; two stars indicates that a restaurant is [...]]]></description>
				<content:encoded><![CDATA[<p>One of the most highly regarded authorities on restaurants, the <a title="Michelin Guide" href="http://www.newyorker.com/reporting/2009/11/23/091123fa_fact_colapinto" target="_blank">Michelin Guide</a> awards one to three stars to restaurants that are deemed to be of &#8216;high culinary merit.&#8217; The significance of receiving a star is as follows: 1 star indicates a good place to stop on your journey; two stars indicates that a restaurant is &#8220;worth a detour&#8221;; three stars represents &#8220;an exceptional cuisine, worth a special journey.&#8221;</p>
<p>While the Michelin Guide focuses solely on <a title="Loyalty Solution for Restaurants" href="http://rewardme.com" target="_blank">restaurants</a>, creating something that is &#8216;worth a special journey&#8217; applies to all environments, not just the food industry. In a climate where &#8216;following the leader&#8217; is growing to be common place, creativity and innovation is developing into a scarce commodity.</p>
<h3><strong>Finding the &#8220;Lead Chef&#8221;</strong></h3>
<p>If you look at some of the top advertising and <a title="Why Specialization May Kill Long-Term Agency Partnerships" href="http://www.josephayi.com/blog/why-specialization-may-kill-long-term-agency-partnerships/">creative agencies</a> in the world, what you find is a gamut of individuals who play the role of creators and <a title="The Importance of Creativity &amp; Innovation" href="http://www.josephayi.com/blog/the-importance-of-creativity-innovation/" target="_blank">innovators</a> to those that focus on taking a plan and executing it. Like a deck of cards, individuals with an innate sense of creativity are the Ace&#8217;s that everyone wants. Their demand is high yet the availability is low.</p>
<p>Stepping back and looking at it from a high-level hierarchy view, creative minds push a brand forward. Individuals that can execute upon an idea are plenty, but finding the individual that can come up with that idea is the hard part. Just how the lead chef of 3-star Michelin rated restaurant plays a crucial role in crafting the &#8216;special journey,&#8217; finding the individual that can create and curate a concept into a story is paramount.</p>
<p>So why are we short on innovation and creativity? Why is it so hard to find the right individual who can take a brand and doesn&#8217;t just write a marketing plan, but a <a title="Using Great Storytelling To Grow Your Business" href="http://www.fastcompany.com/1822792/using-great-storytelling-grow-your-business" target="_blank"><strong>story</strong></a>?</p>
<h3><strong>Fear</strong></h3>
<p>When I was in school, I remember how in class when a teacher would ask a question that would require &#8216;critical thinking&#8217; that there were would be only be a few people who would raise their hand to answer it. While it&#8217;s true that maybe only those few that raised their hand knew the answer, but more likely it&#8217;s that they were the ones who were <strong>brave</strong> enough to offer up their answer to the question. Brave, because for the most part who wants to be told their wrong? There may have been plenty of people in the class who may have known the answer, but there was always the &#8216;what if I&#8217;m wrong&#8217; feeling inside.</p>
<p>This same feeling is what keeps innovation and creativity from growing. The fear that ones idea is wrong can be crippling. With that in mind, perhaps it&#8217;s not creativity and innovation that is scarce. Perhaps it is individuals who are willing to bare their ideas <a title="Building Self-Confidence" href="http://blog.penelopetrunk.com/2012/06/13/how-to-get-self-confidence/" target="_blank">without fear of being wrong</a>.</p>
<p>As Jean Bryant once said:</p>
<blockquote><p>The fear of being wrong is the prime inhibitor of the creative process.</p></blockquote>
<p><strong>How do you overcome the fear?</strong></p>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>When Email Marketing Hurts Your Brand</title>
		<link>http://www.josephayi.com/blog/when-email-marketing-hurts-your-brand/</link>
		<comments>http://www.josephayi.com/blog/when-email-marketing-hurts-your-brand/#comments</comments>
		<pubDate>Mon, 16 Jul 2012 19:38:36 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Branding]]></category>
		<category><![CDATA[Brands]]></category>
		<category><![CDATA[consumers]]></category>
		<category><![CDATA[Email Marketing]]></category>
		<category><![CDATA[Retailers]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=3061</guid>
		<description><![CDATA[One of the most common types of marketing comes in the form of email. In the case of brand-consumer relationships, when a consumer opts-in to giving their email it&#8217;s with the understanding that by willingly giving their information, the brand receiving it will provide them value. Whether it be in the form of discounts or [...]]]></description>
				<content:encoded><![CDATA[<p><span style="color: #000000;">One of the most common types of marketing comes in the form of email.</span></p>
<p><span style="color: #000000;">In the case of <span style="color: #008080;"><a title="The Pepsi Generation: How To Reinvent Your Brand" href="http://www.josephayi.com/blog/the-pepsi-generation-how-to-reinvent-your-brand/" target="_blank"><span style="color: #008080;">brand-consumer relationships</span></a></span>, when a consumer opts-in to giving their email it&#8217;s with the understanding that by willingly giving their information, the <a title="How Creativity Overshadows Results" href="http://www.josephayi.com/blog/how-creativity-overshadows-results/" target="_blank"><span style="color: #000000;">brand</span></a> receiving it will provide them value. Whether it be in the form of discounts or new product updates, consumers <em>trust</em> the brands to engage responsibly.</span></p>
<p><span style="color: #000000;">What happens though when a brand <em>abuses</em> the trust and expectations of the consumer? What happens when the brand turns an opportunity to engage with a consumer into something excessive and bothersome.</span></p>
<p><span style="color: #000000;">For case and point, we reference Banana Republic. <span style="color: #008080;"><a title="The Gap Inc." href="http://www.dailyfinance.com/2012/07/05/why-gap-will-never-be-great-again/" target="_blank"><span style="color: #008080;">Part of The Gap Inc.</span></a></span>, Banana Republic offers modern, refined clothing, shoes and accessories for men and women. Boasting <span style="color: #008080;"><a title="Clothing inspired by Mad men" href="http://fashionista.com/2012/02/sneak-peek-the-new-banana-republic-mad-men-collection-modeled-by-shalom-harlow/" target="_blank"><span style="color: #008080;">clothing inspired by Mad Men</span></a></span> as well as an <span style="color: #008080;"><a title="Trina Turk Banana Republic" href="http://articles.latimes.com/2012/jun/10/image/la-ig-trina-turk-20120610" target="_blank"><span style="color: #008080;">exclusive line from designer Trina Turk</span></a></span>, Gap has positioned Banana as a mainstream luxury clothing retailer.<span id="more-3061"></span></span></p>
<p><span style="color: #000000;">Most recently, a friend of mine who had purchased clothing from Banana in the past had shared with me her story about how the value of their brand had diminished, largely due to the way that they had interacted with her via email. Over a 7 day period, Banana had sent out 6 emails on consecutive days with 4 of them focused strictly on promoting <strong>3 different</strong> &#8216;limited time sales.&#8217; While a large reason for her subscribing to the <span style="color: #008080;"><a title="Banana Republic" href="http://bananarepublic.gap.com/" target="_blank"><span style="color: #008080;">Banana Republic</span></a></span> newsletter was to receive deals, what she got instead was the feeling of a brand desperate for her business. The emails were impersonal and incessant and more importantly convinced her that if she would shop at Banana that it would not be for full price. Why buy something full-price when they always have a sale? Additionally, she longer viewed Banana as an upscale brand like she had previously. Think about if Mercedes-Benz sent you emails about car deals every day, how would your perception of their brand change?<br />
</span></p>
<p><span style="color: #000000;">While there are many who say that the days of email may be reaching its end due to a change in consumption by incoming demographics, email still remains a tool for brand to tell their story to consumers. How you tell that story is the key.</span></p>
<p><span style="color: #000000;">Having a consumers email is similar to <span style="color: #008080;"><a title="Dating an Entrerenur" href="http://www.junloayza.com/entrepreneurship/how-to-keep-your-girlfriend-happy-when-youre-an-entrepreneur/" target="_blank"><span style="color: #008080;">dating</span></a></span>. When a girl/guy gives you their phone number, it&#8217;s with the understanding that you won&#8217;t abuse it. Imagine though what would happen if you called/texted that person every day? Yes, they may be interested in you, but there becomes a point where it become nothing but a nuisance and they end up regretting giving you their number.</span></p>
<blockquote><p><span style="color: #000000;">You can unsubscribe from our mailing list by clicking &#8220;Unsubscribe&#8221; above.</span></p></blockquote>
<p><span style="color: #000000;"><span style="color: #008080;"><a title="How to" href="http://www.lifewithoutpants.com/life/i-dont-know-how/" target="_blank"><span style="color: #008080;">How</span></a></span> long before they hit the</span> <strong>unsubscribe on your brand</strong>?</p>
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		<title>Building Resilient Systems</title>
		<link>http://www.josephayi.com/blog/building-resilient-systems/</link>
		<comments>http://www.josephayi.com/blog/building-resilient-systems/#comments</comments>
		<pubDate>Tue, 10 Jul 2012 20:46:16 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Positioning]]></category>
		<category><![CDATA[Project Models]]></category>
		<category><![CDATA[Resources]]></category>
		<category><![CDATA[Strategy]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2973</guid>
		<description><![CDATA[The dictionary defines &#8216;resilience&#8217; as: 1. the power or ability to return to the original form, position, etc., after being bent, compressed, or stretched; elasticity. 2. ability to recover readily from illness, depression, adversity, or the like; buoyancy. While the two definitions lend explanation to the term, the context to which the term is applied [...]]]></description>
				<content:encoded><![CDATA[<p>The dictionary defines &#8216;resilience&#8217; as:</p>
<p>1. the power or ability to return to the original form, position, etc., after being bent, compressed, or stretched; elasticity.</p>
<p>2. ability to recover readily from illness, depression, adversity, or the like; buoyancy.</p>
<p>While the two definitions lend explanation to the term, the context to which the term is applied can change it.</p>
<h3><strong>The System</strong></h3>
<p>When we think of the term resilient in business, we use it to describe our businesses readiness and how it reacts to situations and changes to environment.<span id="more-2973"></span></p>
<p><em></em> <strong>For example:</strong></p>
<p>- What will happen if we lack a resource needed to build our product?</p>
<p>- What if our servers go down? How will our customers be affected?</p>
<p>- If our data gets corrupted, what will we do?</p>
<p>From a business standpoint, building resilient systems is not just important, it&#8217;s necessary. Resilient systems can prevent and avoid critical situations where in a business and process could be affected negatively and fail.</p>
<p>By using data and projection models, resilient systems become a &#8216;fail safe&#8217; by allowing a business to adapt to shifting environments. Unlike the earlier definitions which mention the &#8216;return to the original form,&#8217; this is <em>not</em> the main goal of resilient systems. It&#8217;s true that resilient systems <em>may</em> return an environment back to it&#8217;s original state, but what they are intended to do is allow for <strong>reconfiguration</strong> to the changing circumstances, while allowing the processes and systems to continue as usual.</p>
<p>An example of building a resilient system is to consider the following situation:</p>
<p>Company A manufacturers shoes in South America and sells them internationally.</p>
<p>One of the resources that is used in the production of the shoe&#8217;s soles is rubber which is sourced at a nearby plant.</p>
<p>After studying and mapping out projections for long-term consumption as well as demand, Company A determines that at the current rate, rubber will increase in costs by 25% over the next 5 years, not including the affect that competitors will have on the cost.</p>
<p>Company A has two options here:</p>
<p>[1] Continue to manufacturing at the current rate &#8211; In 10 years, it is projected that Company A will need to raise prices on their shoes by 12% to cover overall production costs</p>
<p>[2] Prepare &#8216;backups&#8217; for projected increase in resource costs</p>
<p>Going with option 2, Company A has begun changing the way their shoes soles are made by diversifying the materials that go into making the soles. With a new process that is not reliant on rubber solely, Company A has created a resilient system in that production can continue as usual even if the cost of rubber grows in the future.</p>
<p>Have you consider how your business will react to both small and big climate changes?</p>
<h3><strong>The Ugly Truth</strong></h3>
<p>While in the example provided, Company A has now constructed a resilient system to accommodate changes in cost and consumption, the ugly truth is that there is no such thing as a perfect system. No matter the number of preventative measures, countless projections models and initiatives to isolate and mitigate damage, systems will <strong>and</strong> can be broken.</p>
<p>Still, this is not always a bad thing. Natural forest fires are an example of this.</p>
<p>While no one&#8217;s best friend, forest fires create new life amongst the damage it leaves behind. In a way, this intrusion of a resilient system allows for the reorganization of resources as is what a natural forest fire does.</p>
<p>Andrew Zolli and Ann Marie Healy, said it best:</p>
<blockquote><p>Resilience is, like life itself, messy, imperfect and inefficient. But it survives.</p></blockquote>
<p>When the environment that surrounds your business takes an turn in the wrong direction, will your business <em><strong>survive</strong>?</em></p>
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		<title>How Creativity Overshadows Results</title>
		<link>http://www.josephayi.com/blog/how-creativity-overshadows-results/</link>
		<comments>http://www.josephayi.com/blog/how-creativity-overshadows-results/#comments</comments>
		<pubDate>Wed, 23 May 2012 19:52:54 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Creativity]]></category>
		<category><![CDATA[Measurable Results]]></category>
		<category><![CDATA[ROI]]></category>
		<category><![CDATA[Social Media]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2957</guid>
		<description><![CDATA[Is a digital campaign great or does it just appear that way? Does it succeed and drive results or is it just an illusion? In a digital climate where everyone can be a critic, the truth about the quality of work is easily overlooked through rationalization and on-the-surface inspection. We see what we want to [...]]]></description>
				<content:encoded><![CDATA[<p>Is a <a title="Digital Media: Distinguish Relevance From Noise" href="http://www.josephayi.com/blog/digital-media-distinguish-relevance-from-noise/" target="_blank">digital campaign</a> great or does it just appear that way? Does it succeed and drive results or is it just an illusion? In a digital climate where everyone can be a critic, the truth about the quality of work is easily overlooked through rationalization and on-the-surface inspection. We see what we want to see and if we don&#8217;t, we convince ourselves that there is a perfectly good reason why not. This process of rationalization is both common and overused and when coupled with the simplicity in showing approval (warranted or not), it can be a recipe for misleading results.</p>
<p>Too often are <a title="What Marketers Can Learn From Sesame Street" href="http://www.josephayi.com/blog/what-marketers-can-learn-from-sesame-street/" target="_blank">marketing teams</a> built for conformity rather that when the results aren&#8217;t what&#8217;s &#8216;expected,&#8217; coming up with an excuse is easier than coming up with a lesson to be learned. While creativity and <a title="The Importance of Creativity &amp; Innovation" href="http://www.josephayi.com/blog/the-importance-of-creativity-innovation/" target="_blank">innovation</a> are an important part of marketing, when it comes to tying them with generating results (revenue and sales), it can be a struggle that leads to creativity overshadowing the true results.<span id="more-2957"></span></p>
<h3><strong>The Problem With Rudimentary Marketing</strong></h3>
<p>In December of 2010, <a title="Disney Corporate" href="http://corporate.disney.go.com/news/media_networks.html" target="_blank">Disney Media</a> ended their decade long relationship with Publicis Groupe’s Starcom after Publicis notifed Disney that they would not be defending their $2 billion media account that Disney had put into review earlier that month. The decision to not defend their position was rationalized by current financial situations and Disney&#8217;s corporate structure.</p>
<p>The parting of Publicis and Disney Media capped a year full of changes in brand representation. Carmichael Lynch walked away from Harley Davidson after 31 years, Fitzgerald &amp; Co. and Aflac ended a 20-year relationship, and Tabasco wrapped up their 24-year run with Omnicom Group&#8217;s TracyLocke. The growing number of changes within a brands marketing arm is not without warning signs though.</p>
<p>Today&#8217;s brands not only demand creativity and innovation, but measurable results. When the <a title="Life Without Lag: The Social Media Effect" href="http://www.josephayi.com/blog/life-without-lag-the-social-media-effect/" target="_blank">social media</a> boom first began for brands around 2008, the goal was to build communities. Fast-forward to the present and community building is only part of the equation. Brands don&#8217;t just want results, they demand it. A Facebook Like, a Twitter retweet, a Google share, these are just buzz words at the dinner table of marketing teams. Prior to Tabasco parting ways with <a title="TracyLocke" href="http://www.tracylocke.com/" target="_blank">TracyLocke</a> and shifting over to Ogilvy West, the last time that they had reviewed their relationship with TracyLocke had been nearly 20 years ago. Over time, ad campaigns and brand positioning had become rudimentary. It&#8217;s not to say that TracyLocke didn&#8217;t do a good job with the Tabasco account. In fact, Tabasco did lead their industry in terms of sales. Rather, the same act had become all too familiar.</p>
<p>With so many new media channels and opportunities, the need to take the Tabasco brand down a path that would address the need for creativity and be results driven was imperative.</p>
<h3><strong>No Don Draper Here</strong></h3>
<p>Unlike the marketing and advertising campaigns depicted by Don Draper and the Sterling Cooper Draper Pryce ad agency from <a title="Mad Men TV" href="http://www.amctv.com/shows/mad-men" target="_blank">Mad Men</a> where the beauty and creativity of a campaign can be enough to make a brand happy, marketing is now laced with terms like return on investment, scalability, and revenue. The <a title="The Pepsi Generation: How To Reinvent Your Brand" href="http://www.josephayi.com/blog/the-pepsi-generation-how-to-reinvent-your-brand/" target="_blank">core value of marketing</a> as a brand building tool still persists, but with the addendum of how an action can lead to a measurable value and increase revenue.</p>
<p>Speaking with both current and former advertisers and marketers alike, the shift in the way a brand views marketing and advertising can be best described as <strong>transitional.</strong> While traditional marketing continues to look for new ways to rejuvenate itself, the digital space is an untapped resource for brands.</p>
<p>The marketing game has changed. The team with the best creative and prettiest presentation won&#8217;t necessarily win that multimillion dollar marketing account. It will be the team that develops a creative campaign <strong>that addresses the goals of the brand.</strong> <strong></strong></p>
<p>Winston Churchill said it best:</p>
<blockquote><p><strong>However beautiful the strategy, you should occasionally look at the results.</strong></p></blockquote>
<h1>&#8211;</h1>
<p>How do you measure success in marketing? How do you balance creativity with creating measurable results?</p>
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		<title>Digital Media: Distinguish Relevance From Noise</title>
		<link>http://www.josephayi.com/blog/digital-media-distinguish-relevance-from-noise/</link>
		<comments>http://www.josephayi.com/blog/digital-media-distinguish-relevance-from-noise/#comments</comments>
		<pubDate>Wed, 21 Mar 2012 08:49:19 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Data]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Strategy]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2903</guid>
		<description><![CDATA[In 2011, Twitter users accounted for nearly 33 billion tweets a day. During the same year, Facebook more than doubled their community size, by growing to 850 million members worldwide. With no signs of slowing down, the brands that get the most out of user interactions will be the ones who are able to distinguish [...]]]></description>
				<content:encoded><![CDATA[<p>In 2011, Twitter users accounted for nearly 33 billion tweets a day. During the same year, Facebook more than doubled their community size, by growing to 850 million members worldwide. With no signs of slowing down, the brands that get the most out of user interactions will be the ones who are able to distinguish relevance from noise.</p>
<p>From a marketing and business perspective, a shift in focus has begun. Perhaps a product of necessity, evolution, or even both, brands are moving from building communities toward identifying users who are relevant to their brand.</p>
<h4>Amazon: Intelligent Data Analysis</h4>
<p>To understand relevance, it&#8217;s first important to understand the value and importance of <a title="Big data: The next frontier for innovation, competition, and productivity" href="http://www.mckinsey.com/Insights/MGI/Research/Technology_and_Innovation/Big_data_The_next_frontier_for_innovation" target="_blank">data</a>.</p>
<p>In 2006, Amazon reported that 35 percent of product sales resulted from recommendations on their site, putting it second only to search in regards to revenue generated. While the end result was showing relevant items to consumers, the process of knowing exactly what to show a user started from the first time a user arrived on the site. Recording everything from what a consumer purchased to what items were viewed, Amazon&#8217;s <a title="Recommendation Engines" href="http://www.readwriteweb.com/archives/recommender_systems.php" target="_blank">recommendation engine</a> analyzes massive amounts of data to <em>intelligently</em> suggest items to consumers. As a result of these targeted actions, Amazon is able to direct users to items with a high conversion opportunity, leading to higher net revenue.</p>
<p>From a marketing standpoint, brands should consider approaching social networks and the digital space in the same manner that Amazon approaches consumers who visit their site. Rather than viewing a Facebook fan or Twitter follower as just a faceless number (1 out of 1MM fans), brands should consider each individual as an <a title="Learn from customer data" href="http://www.josephayi.com/blog/what-marketers-can-learn-from-sesame-street/" target="_blank">opportunity to learn</a> and cultivate an understanding of the user. By constantly learning and gathering more data about a consumer/fan, brands can learn to become smarter in the way that they market and approach them. From what type of content a user is engaging with to the frequency in which they engage with the brand, data such as these can be used to build stronger ties with users long-term.</p>
<p>While not every brand may operate like a retailer like Amazon, the basic principles of serving relevant content to lead users to a conversion point spans across most if not all industries. How efficient and adept a brand is in applying this principle will correlate to how they not only collect data, but how they analyze it.</p>
<h4>Relevance and ROI</h4>
<p>Findings from a study conducted in January and February of this year by the Columbia Business School Center on Global Leadership and the New York American Marketing Association found the following:</p>
<blockquote><p>A survey of 243 CMOs and other marketing executives found that 57% don&#8217;t establish their budgets according to ROI measures. 68% of respondents said they base their budget decisions on historical spending levels, while 28% said they go with gut instinct. <strong>And 7% said most of or all their spending decisions aren&#8217;t based on any metrics at all.</strong></p></blockquote>
<p>In what could be described as a sort of laissez-faire environment, marketing teams have become overly comfortable to the model of measuring the success of their campaigns through &#8216;brand awareness&#8217; and public sentiment. While important, they have no standard measurement by which to compare against nor is standardized across industries. Until we get to that point, marketers and brands need to consider what <em>they can measure</em> and how they can use that in their favor.</p>
<p>By understanding what categories ($ spent in 12 month period, visits per month, etc.) by which individuals should be segmented, brands can shift through and find those that help move the needle forward. Additionally, by establishing benchmarks for metrics and milestones, brands will be accurately appropriate resources and budgets toward attaining them.</p>
<h4>The Many Degrees of Relevancy</h4>
<p>Once an individual has been identified as being relevant to ones brand, the next step will be to answer the question of to what degree. The varying degrees of relevancy is what helps marketers determine who to give the most attention to.</p>
<p>In relation to degree of relevancy, a word that we hear most often in the business industry is brand evangelist or influencer. As the name suggests, these individuals are those that promote and stay &#8216;loyal&#8217; to the brand. These are the individuals who will buy a product or watch a movie just because it is associated with your brand. While these individuals may account for a small percentage of ones target market, they are ones that help a brand succeed and grow. Because of this, brand should consider these individuals on the high-end of the value chart when it comes to relevant users. O</p>
<p>&#8211;</p>
<p>Just how you wouldn&#8217;t play a carnival game without knowing the rules or how to win, nor should you pour resources into a community you know little about. Through data collection and analysis, as well as strategic planning, brands can shift from a mass communication approach to intelligent, micro-level marketing.</p>
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		<title>The Athlete Versus The Brand</title>
		<link>http://www.josephayi.com/blog/the-athlete-versus-the-brand/</link>
		<comments>http://www.josephayi.com/blog/the-athlete-versus-the-brand/#comments</comments>
		<pubDate>Fri, 02 Mar 2012 03:36:53 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Branding]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Sports]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Kobe Bryant]]></category>
		<category><![CDATA[Sponsorship]]></category>
		<category><![CDATA[Strategy]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2740</guid>
		<description><![CDATA[When you look at the above advertisement, you will find two elements: the athlete and the brand. While individually, they each represent something different, together they unite to form one singular message. Although the message is now singular, the question though is which message connects with people the most. Is it the athlete or is [...]]]></description>
				<content:encoded><![CDATA[<p>When you look at the above advertisement, you will find two elements: the athlete and the brand. While individually, they each represent something different, together they unite to form one singular message. Although the message is now singular, the question though is which message connects with people the most. Is it the athlete or is it the brand?</p>
<p>Some may answer that the advertisement doesn&#8217;t favor one side more than the other, but athletes for the most part have been the centerpiece of sports marketing campaigns and continue to be the centerpiece for global sports brands.</p>
<h3>Nike Versus Everyone Else</h3>
<p>When you think of athletic shoes, one of the first brands that&#8217;s always thought of is Nike. Although Nike makes great shoes, there are plenty of shoes out there that are just as good, if not better. So what is it about Nike that makes us jump when we think of athletic shoes? Branding. Simply put, Nike knew that not matter how great of a shoe they could make, it wouldn&#8217;t matter unless they could get people to believe in the Nike brand and the culture it represented. If you ask the average person about what brands like Reebok, New Balance, Adidas, or Puma represent, you&#8217;d probably get many different answers. Ask someone about Nike though and they&#8217;d probably have a good understanding of what the Nike brand represents.</p>
<p>When Nike first signed Romanian tennis player, Ilie Năstase and distance runner, Steve Prefontaine in the early 70&#8242;s, Nike set the precedent of using athletes as evangelists for their brand. Although many brands today have an athlete as their brands focal point, Nike transcends those brands in that they don&#8217;t focus on just one individual, but have built a family of athletes that embody the Nike brand. From <a title="How To Be Kobe Bryant In The Workplace" href="http://www.josephayi.com/blog/how-to-be-kobe-bryant-in-the-workplace/" target="_blank">Kobe Bryant</a> to Derek Jeter, Nike has profited off a network of athletes that as a group make up the Nike brand.</p>
<h3>The Image</h3>
<p>Although we may not realize it, we don&#8217;t choose brands just because we like the quality of their products, but rather because we like what they represent. For example, when someone puts on a pair of Jordan&#8217;s, not only are they buying a pair of basketball shoes, but they are buying the experience that comes with it. A majority of us may never hit the game winning shot in a basketball game, but owning a pair of Jordan&#8217;s allows &#8216;fans&#8217; to be part of the moments that defined Michael Jordan. Similarly, the same can be applied to when someone buys a pair of Kobe Bryant shoes or a Lance Armstrong &#8220;Live Strong&#8221; shirt. We <strong>like</strong> our products, but we <strong>love</strong> our athletes. No one knows that better than sports brands.</p>
<h3>The Marketing Value of an Athlete</h3>
<p>While it may be bold to say that an athlete can transcend a brand entirely, with each new &#8216;investment&#8217; by brands into an athlete, the notion that athletes are replaceable is slowly fading. Brands like Adidas, Nike and Reebok for example have been in a frenzy trying to lure NBA stars to sign contracts, much of which resembles a bidding war. Back in 2009, <a href="http://dimemag.com/2009/07/dwyane-wade-leaves-converse-for-jordan/" rel="nofollow" target="_blank">Dwayne Wade</a> announced that he would be leaving the Converse brand to join Nike&#8217;s Jordan brand. In a conversation with the AP, Wade made it clear why he was leaving them:</p>
<blockquote><p>&#8220;I didn’t want to be in the Converse brand anymore because it seemed like they didn’t know what to do with me. I want to go global. It’s something I feel like I have to do. I want to continue to build my brand.”</p></blockquote>
<p>Although Converse had plans to make Dwayne Wade the focal point of their athletic shoe line, they were unable to fully utilize his marketing potential. Wade realized this and jumped ship. An important point to understand about the relationship between the athlete and the brand is that an athlete can only take you so far before they need help, which in most cases means the ability to expand their reach globally through strategy and brand influence. Converse gave Wade a shoe and hoped that it would catch on domestically. The problem here is that Dwayne Wade is one of the most recognizable basketball players in the world. While other NBA players are being marketed both domestically and internationally, Wade&#8217;s reach had a ceiling. Although the dollars and cents matter when it comes to an athlete representing a brand, a brands ability to propel an athlete and increase their relevance and influence plays a big part in the decision as well.</p>
<p>Earlier this year, McDonald&#8217;s came to a multiyear agreement with NBA star <a title="Winning Solves [Almost] Everything" href="http://www.josephayi.com/blog/winning-solves-almost-everything/" target="_blank">LeBron James</a> and also renewed a multiyear contract with <a href="http://www.nba.com/magic/news/mcdonalds_howard_020210.html" rel="nofollow" target="_blank">Dwight Howard</a>. Investing millions of dollars, brands and organizations like McDonald&#8217;s understand the impact value that athletes can have. Before the Tiger Woods debacle, Tiger was one of the top earning athletes when it came to endorsement deals. In fact, Forbes announced that in 2009, Tiger had become the first athlete ever to earn over 1 billion dollars over his career before taxes, with a large percentage coming from endorsement deals. Regardless of what has transpired over the last 6 months with Tiger Woods, the fact remains that athletes are one of the highest paid marketing &#8216;tools&#8217; for brands because of their ability to compel &#8216;fans&#8217; to become part of what they are representing.</p>
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		<title>What Marketers Can Learn From Sesame Street</title>
		<link>http://www.josephayi.com/blog/what-marketers-can-learn-from-sesame-street/</link>
		<comments>http://www.josephayi.com/blog/what-marketers-can-learn-from-sesame-street/#comments</comments>
		<pubDate>Mon, 20 Feb 2012 08:43:02 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Branding]]></category>
		<category><![CDATA[Business]]></category>
		<category><![CDATA[Marketing Strategy]]></category>
		<category><![CDATA[Media]]></category>
		<category><![CDATA[Sesame Street]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2577</guid>
		<description><![CDATA[When Joan Ganz Cooney and Lloyd Morrisett first embarked on creating Sesame Street, they could never have imaged the impact that it would have. With over 100 Emmy awards to its’ name, Sesame Street remains one of the most popular children’s television shows to date. Started in 1969, Sesame Street not only introduced us to [...]]]></description>
				<content:encoded><![CDATA[<p>When Joan Ganz Cooney and Lloyd Morrisett first embarked on creating Sesame Street, they could never have imaged the impact that it would have. With over 100 Emmy awards to its’ name, Sesame Street remains one of the most popular children’s television shows to date. Started in 1969, Sesame Street not only introduced us to Big Bird and Elmo, but it also revolutionized and challenged the status quo.</p>
<p>While at first glance Sesame Street may seem like an obvious children’s favorite, the reality of the situation was that Sesame Street was the counter to the ‘norm.’ Part genius and part luck, Sesame Street’s ‘success story’ serves as an excellent examples to marketers on how to make anything from an idea to a campaign succeed.</p>
<h3>The Big Bird That Almost Never Happened</h3>
<p>Believe it or not, but when Sesame Street was first conceptualized and created, Big Bird wasn’t part of it. Not just Big Bird, but other lovable Muppets, like Oscar the Grouch, were never even supposed to be part of the original sketches. What caused Cooney and Morrisett to write in the characters of Big Bird and other Muppets was the realization that Sesame Street didn’t ‘stick.’</p>
<p>To an extent, before Big Bird and the Muppets Sesame Street was like every other show. It targeted the 3 to 5 year old demographic and implemented and executed ‘best practices’ for children’s shows during that time. Still, what Cooney and Morrisett determined through group testing of shows is that their initial plans of separating all fantasy elements of the show from real elements (street scenes with live actors), which was believed to have been a standard practice due to a child’s inability to distinguish between fantasy and reality, actually had a detrimental effect on the attentiveness and interest of the demo group. Here, Cooney and Morrisett faced a hard decision: go with the ‘norm’ or go with the unknown and take a leap of faith.</p>
<p>Fast-forward 40 plus years and we see that Cooney and Morrisett made the right decision. While most marketing specialists aren’t in the situation of having to decide between Big Bird or no Big Bird, everyone in some form or another has their own Sesame Street situation. As story tellers, our goal is to make sure that the story and messages we weave not only resonates with an audience, but that it has the legs to run and continue to be relevant. We can only make assumptions as to how Sesame Street would have done had the changes not been made, but it wouldn’t be far fetched to think that after a few episodes, Sesame Street would have drifted into obscurity and have become just like any other children’s television show. Learning from Cooney and Morrisett, the key to a great idea sticking and growing into something bigger is knowing how to adapt and develop ideas that challenge the current status quo as well as finding new ways to optimize and improve existing best practices.</p>
<h3>The Details of Success</h3>
<p>An interview question that I like to ask prospective candidates is how they would take a simple product, such as a DVD, and sell it at a university. While the obvious reason for asking the question is to see how creative the individual is when given a relatively simple task, the deeper meaning of the question is to determine how detailed the individual is when approaching and formulating a plan or idea. The real challenge for the individual isn’t to come up with a creative idea, but rather when they have their plan examined and scrutinized for holes and gaps.</p>
<p>In almost systematic fashion, the team of Cooney and Morrisett took every possible measure to produce the highest quality product in Sesame Street. From developing multiple variations of scripts for segments to measuring demo group attentiveness down to the seconds, if Sesame Street was going to fail, it wasn’t going to be because of their lack of detail. As marketers we can both appreciate and learn from Cooney and Morrisett. In the business world, we are able to influence many things, but control very few. Among the things we are able to control are the details and the lengths at which we go into planning and developing our ideas. For example, if you are telling a stranger how to get from point A to point B, the amount of detail that you provide them with will have a direct affect on whether or not they actually reach the location. Similarly, marketing efforts that provide detailed steps from start to finish leaves little room for error or failure on the part of the brand. Today especially, in an environment where user sentiment and impulses can be impacted within a matter of seconds, developing an idea that has been scrutinized and broken down until it’s perfect can be the difference between success and failure.</p>
<p>—</p>
<p>While Sesame Street has changed since its inception, the fundamentals of its success are still present. Big Bird is still big and Kermit is still green. We may all be a little older and wiser, but we can all look back on Sesame Street to inspire our creativity to push boundaries and develop innovative ideas.</p>
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		<title>How Sports [Marketing] Has Changed</title>
		<link>http://www.josephayi.com/blog/how-sports-marketing-has-changed/</link>
		<comments>http://www.josephayi.com/blog/how-sports-marketing-has-changed/#comments</comments>
		<pubDate>Sat, 18 Feb 2012 08:22:24 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Sports Business]]></category>
		<category><![CDATA[Advertising]]></category>
		<category><![CDATA[Relevancy]]></category>
		<category><![CDATA[ROI]]></category>
		<category><![CDATA[Social Media]]></category>
		<category><![CDATA[Sports Marketing]]></category>

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		<description><![CDATA[The sports game has drastically changed. Yes, fans still root for their favorite teams and wear their lucky jersey on game day, but off-the-field, sports teams have shifted from traditional marketing strategies and advertising models toward more progressive and hands-on approaches. With an ever growing demand by consumers for engagement and relevancy, the sports industry [...]]]></description>
				<content:encoded><![CDATA[<p>The sports game has drastically changed. Yes, fans still root for their favorite teams and wear their lucky jersey on game day, but off-the-field, sports teams have shifted from traditional marketing strategies and advertising models toward more progressive and hands-on approaches.</p>
<p>With an ever growing demand by consumers for engagement and relevancy, the sports industry has responded by taking marketing and creativity to new levels. As a result, the sports industry has opened up new partnership opportunities and ways to connect with fans.</p>
<p><strong>Reactive and Proactive</strong></p>
<p>In 2010, the top 50 advertisers in sports spent a combined $6.6 billion on sports advertising, up 27 percent over what the top 50 companies spent in 2009 and 22 percent more than 2008 (<a href="http://www.sportsbusinessdaily.com/Journal/Issues/2011/05/02/Research-and-Ratings/Ad-spending.aspx">SportsBusinessJournal.</a>) So what changed? While we may not go so far as to say <em>everything</em>, a clear change was the way that the sports industry approached fan engagement and the creative process.</p>
<p>Although social networks Twitter and Facebook started in 2004, the sports industry only began catching up with it around 2008. Although ‘late to the party,’ sports teams quickly began to turn their attention toward the digital space and social networks because of the intriguing opportunity that they offered. Prior to the ‘new digital age,’ sports advertising and marketing online revolved around advertising opportunities where success had a clear definition. From traditional advertising campaigns that focused on the PPC/CPI/CPM model and standard sponsorship titlement of web assets, sports teams played it safe when it came to online marketing and advertising, with creativity often found only in offline opportunities.</p>
<p>The sudden change toward fan engagement and the need for creativity didn’t happen because the sports industry suddenly discovered Facebook and Twitter. Rather, it was the realization that without creativity and innovation, you would slowly begin to lose touch with your fan base. New social networks and a change in the digital environment wasn’t the solution, but rather a catalyst for the sports industry and its fans.</p>
<p><strong>The Sports Marketing Renaissance</strong></p>
<p>In what could be called a sort of sports marketing renaissance, sports teams have begun developing strategies that are both reactive and proactive.</p>
<p>By reactive, we refer to the monitoring of the engagement between the brand and the fan. From putting out fires when negative comments are shared, to lead generation, reactive marketing and advertising in the digital space is playing a bigger role in the curating of a sports teams brand. In addition, teams are seeing results financially as was the case with the New Jersey Devils and <em>Mission Control</em>. Acting as a social media central hub for monitoring all things related to the New Jersey Devils, the Devils were able to not only able to <em>part</em> of the conversation, but they were also able to drive significant results including $17,776 dollars in direct ticket sales due to online promotions through their Facebook and Twitter accounts. (cite: <span style="text-decoration: underline;">National Sports Forum</span>)</p>
<p>On the other side of the spectrum, proactive refers to developing content that will drive conversation. Rather than wait for the conversation to take place as is the case with reactive strategies, proactive actively pursues and develops content that will get people interested and “create a buzz.” Content development with a proactive approach has become especially popular with sports teams because of the unique “assets” that they have at their disposal. By this, we refer to the sports athletes themselves. Like Hollywood celebrities, sports personalities have become a valuable asset to sports teams as they become marketable assets beyond just a simple advertisement on a billboard or ticket. From an advertising and marketing standpoint, athletes now become the centerpieces for which campaigns can be built around. Athlete involvement no longer stops at taking photos at media day and signing balls. Instead, athletes have become actors (see <span style="text-decoration: underline;">Steve Nash, Toyota Prius Canada</span>), bloggers and in some cases, even ticket salesman (see <span style="text-decoration: underline;">Dirk Nowitzki Selling Tickets.</span>)</p>
<p>David Ogilvy, also known as the “The Father of Advertising,” once said: “If it doesn’t sell, it isn’t creative.” In the case of the sports industry, this was exactly where advertising and marketing was headed. When it came to advertising and marketing, sports teams were selling fans the same old story: ‘Here are some pretty pictures with a sponsor logo. Please click on it.’ The creativity and engagement that fans desired coupled with the growing impact of the digital space made it the perfect time for sports teams to move toward a innovative marketing and advertising. While it’s too early to tell how these new strategies will play out long-term, early signs show that fan engagement leads to positive results both from a branding standpoint and a business one which we can only hope will continue to be the trend.</p>
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		<title>Why Specialization May Kill Long-Term Agency Partnerships</title>
		<link>http://www.josephayi.com/blog/why-specialization-may-kill-long-term-agency-partnerships/</link>
		<comments>http://www.josephayi.com/blog/why-specialization-may-kill-long-term-agency-partnerships/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 08:50:45 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Business]]></category>
		<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Agencies]]></category>
		<category><![CDATA[Agency of Record]]></category>
		<category><![CDATA[Long-term Planning]]></category>
		<category><![CDATA[Strategy]]></category>

		<guid isPermaLink="false">http://www.josephayi.com/?p=2590</guid>
		<description><![CDATA[If you’ve followed the advertising and marketing industry news of late, one item that might have caught your eye is the growing number of brands reviewing their media buying, advertising and brand representation. From Jaguar Cars moving their 6 year, $100 million global account from Euro RSCG Worldwide to Spark44,  to Disney Media ending their [...]]]></description>
				<content:encoded><![CDATA[<p>If you’ve followed the advertising and marketing industry news of late, one item that might have caught your eye is the growing number of brands reviewing their media buying, advertising and brand representation. From <a title="Jaguar Moves Global Account From Euro RSCG to Dedicated Shop Spark44" href="http://adage.com/article/global-news/jaguar-moves-global-biz-euro-rscg-dedicated-agency/148932/" target="_blank">Jaguar Cars</a> moving their 6 year, $100 million global account from Euro RSCG Worldwide to Spark44,  to <a title="Disney Corporate" href="http://corporate.disney.go.com/news/media_networks.html" target="_blank">Disney Media</a> ending their decade long relationship with Publicis Groupe’s Starcom, long-term relationships between brands and those who represent them are coming to a close. Just how the number of players who stay with one sports team their entire career is diminishing, so is the number of brands that stay with an agency for an extended period of time. “Do it all” agencies that once handled the branding, public relations and marketing for large brands are seeing their responsibilities broken up and divided amongst several different agencies.</p>
<p>So what is the cause? What is causing brands like <a title="Services Marketing: How Disney Got It Right" href="http://www.josephayi.com/blog/services-marketing-how-disney-got-it-right/">Disney</a> and Harley Davidson (Former agency: <a title="Carmichael Lynch" href="http://adage.com/article/agency-news/advertising-carmichael-lynch-resigned-harley-davidson/145638/" target="_blank">Carmichael Lynch</a>) to reconsider the future of their advertising, marketing, and entire branding? The answer is specialization.</p>
<h3>Specialization</h3>
<p>Specialization is defined as “the act of making something suitable for a special purpose.” In the case of the “do it all” agencies, specialization is a word that can be hard to come by. Because of the growth and speed of information and content in the digital space, there is an accelerated market adoption rate when it comes to new products, messages and brands. This has led to the the need for agencies with quick turnaround times without the sacrifice of quality.</p>
<p>From <a title="Facebook Campaigns" href="http://www.sportsnetworker.com/2011/03/02/how-much-should-you-spend-on-facebook/" target="_blank">Facebook campaigns</a> that need specific applications built for Fan Pages, to social monitoring tools that help a brand listen in on the conversation, finding a one stop destination that is able to do ‘everything,’ is becoming more and more difficult. Due to the rapidly growing number of opportunities that the digital space presents and the lack of specialized individuals, the need for agencies to recruit individuals with an expertise and background in the digital space is at its’ highest.</p>
<p>It what can be best described as a supply and demand problem, ‘do it all’ agencies need to begin addressing their needs for specialists in different areas of the digital space before it’s too late.</p>
<h3>The Orange Versus Fruit Problem</h3>
<p>One reason why smaller, ‘one-stop shop’ agencies succeed is because they are able to focus on one specific area which makes finding talent easier. In comparison with larger, multifaceted agencies, these ‘one-stop’ agencies don’t need to go out and recruit talent in multiple areas. Just how it’s easier to go to the market and pick out 15 oranges rather than 1 of each fruit, this is the same reality that agencies will go through.</p>
<p>So how can multifaceted agencies compete? In the end it will come down to the overall commitment and <a title="Recruitment Strategy" href="http://themadgrad.com/2010/03/02/how-to-be-a-stellar-candidate/" target="_blank">recruitment strategy</a> of these agencies. In order to compete with specialized agencies, ‘one-size-fits-all’ agencies need to have a holistic approach to the digital space that encompasses all areas of the digital space. A common mistake that some may make is to hire a Digital Manager to handle all of their clients digital work. While this is a good start, it shouldn’t stop there. Rather, every area of the digital space needs to have some responsibility. By clearly outlining all the possible areas that the brands they represent may need, the agency can then hire groups of specialists to help address them. From individuals who specialize in digital promotions and sponsorships to those who have a background in digital copywriting, by building a team that can manage high-quality campaigns and strategies from start to finish, client retention rate will increase as well as lead to new ones.</p>
<h3>The Digital Space Moves Faster</h3>
<p>Former First Lady of Argentina, Eva Perón, once said that “time is my greatest enemy.” Along the same lines, time is an enemy for ‘do-it all’ agencies. While common sense says that given enough time, you can do anything, the problem is that the digital space may be the exception to that rule. With every new day, a new area of the digital space finds itself in demand. Coupled by the advent of new technology and the fast paced nature of the digital space, agencies that are trying to play catch-up can be at a disadvantage.</p>
<p>Ultimately, brands that decide to move towards smaller, specialized agencies will do so because of cost and quality. Although it may be difficult for larger, do-it all agencies to compete with these specialized agencies, in the long-run they may be able to win if they are able to make changes now before it’s too late.</p>
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		<title>Why Ideas Are Like Eggs</title>
		<link>http://www.josephayi.com/blog/why-ideas-are-like-eggs/</link>
		<comments>http://www.josephayi.com/blog/why-ideas-are-like-eggs/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 08:49:45 +0000</pubDate>
		<dc:creator>Joseph Yi</dc:creator>
				<category><![CDATA[Marketing]]></category>
		<category><![CDATA[Comparisons]]></category>
		<category><![CDATA[Execution]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Strategy]]></category>

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		<description><![CDATA[Eggs. If you are just starting to learn how to cook, they are probably the first thing you will try your luck at. From hard-boiled to scrambled, deviled to fried, everyone has their own special way of preparing eggs. Still, the unique aspect of eggs is that although they are relatively simple cook, it’s quite [...]]]></description>
				<content:encoded><![CDATA[<p>Eggs. If you are just starting to learn how to cook, they are probably the first thing you will try your luck at. From hard-boiled to scrambled, deviled to fried, everyone has their own special way of preparing eggs. Still, the unique aspect of eggs is that although they are relatively simple cook, it’s quite difficult to perfect.</p>
<p>Ideas are much the same. Everyone can have think up an idea, but executing it and producing positive results is difficult. There plenty of books out there that talk about ideas, but just how there are many recipes on how to make the ‘perfect’ egg, its less about the steps and more on the detail of the execution.</p>
<h3>Paying Attention To Detail</h3>
<p>English mathematician and philosopher, Alfred North Whitehead once said that “we think in generalities, but we live in detail.” His words not only resonate in our daily lives, but they also paint a clear picture of how ideas are formed and evolve. Too often do we assume that having the ‘right idea’ is all it takes that we forget that it’s the details that make an idea relevant and impactful. To fully understand this, we re-visit the egg comparison.</p>
<p>As mentioned, eggs are one of the first things that someone whose just starting out will learn how to cook because of they are quick and simple. If you were to tell someone how to make a fried egg for example, you would tell them to heat a frying pan, add oil, crack an egg and add it to the frying pan. From a purely basic process outline, those steps are correct. While correct, what’s missing is the details on how to make it ‘perfect.’ Depending on the degree of detail that is put into the instructions, as well as execution, the outcome will be directly related to it. More details will produce better results while less will yield poor ones.</p>
<h3>The Facebook Comparison</h3>
<p>With <a href="http://www.reuters.com/article/2011/04/27/us-facebook-shares-idUSTRE73Q8L720110427">Facebook investors looking for an exit</a> and expected to IPO sometime next year, everyone is looking to be the next Facebook. Trying to be the next ‘lighting in a bottle,’ those looking to replicate and surpass Facebook must not only understand their current state, but also how they got there in the first place.</p>
<p>Although there are many reasons for their success, Facebook succeeded in part because of their close attention to detail which thus improved the quality of their product. Where social networks like Friendster and MySpace failed, Facebook’s diligence toward detail ensured that the same mistakes wouldn’t be made. In perspective, anyone can create a social network, but not everyone can make the ‘perfect’ one.</p>
<p>Facebook’s business has been well documented leaving little unknown, yet their have been hundreds of attempts at creating the next social network with little success.</p>
<p>Facebook reaffirms the notion that it’s less about the steps and more on the detail of the execution.</p>
<p>—</p>
<p>Thomas Edison said it best when he stated that “the value of an idea lies in the using of it.” We all have ideas, but the quality of it and the impact that it will have ultimately lies in the execution and details.</p>
<p>Remember, everyone can prepare an egg. They are simple and easy.</p>
<p>Few can prepare the ‘perfect egg.’</p>
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